Three printed issues per year. Paper with texture under your fingers. No screen distractions.
Tea, seriously.
Long-form writing about tea — the people who grow and make it, the designers and craftspeople it reaches, the culture it moves through. Each issue is built around a single theme, explored across interviews, field reports, and essays.
We don't publish brewing guides, product rankings, or trend coverage.
This isn’t lifestyle. It’s a way of seeing.
Edge
From tattooed skin to a teahouse in a city under pressure, a monastery in Chengdu, and the coastline where tea first took to the sea, this issue looks at edges — the lines where things break, cross, or hold. There is also a tea cake waiting to be broken, and a chess board that stopped being fun.
Featuring: an account by tattoo artist Kenshō Suzuoka, seven days of tea and discipline behind temple walls, elephants in Assam, and an essay on what the sea did to tea.
Notes
Between issues, there is Notes. Every two weeks. Short reflections beyond the magazine. On tea's influence beyond the obvious. On how to notice better.